1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 87 88 89 90 91 92 93 94 95 96 97 98 99 100 101 102 103 104 105
I swear by my life and my love of it that I will never live for the sake of another man nor ask another man to live for mine. --- John Galt
________ ____________ ______ ______ ________ _____________ _______ _______ ____ ____ ___ ______ ______ ____ __________ ___ ___ ___ ___ ____ __________ ___ ___ ___ ___ ____ ____ ___ ___ _____ ___ ________ _____________ _____ ___ _____ ________ ____________ _____ _ _____ "Helping to put People to work for Information"
sssssssssss pppppppppp aaaaa cccccccc eeeeeeeeeeeeee sssssssssssssssssss ppppppppppp aaaaaaaa cccccccccccc eeeeeeeeeeeeeeee sssssssssssssssssssss ppppppppppppp aaaaaaa ccccccccccccc eeeeeeeeeeeeeee sssssssssssssssssssssss ppppppppppppp aaaaaaa ccccccccccccc eeeeeeeeeeeeeee sssssssssssssssssssss ppp pppppp aaaaaaaa cccccccccccc eeeeeeeeeeeeee ssssssssssss pppppp pppppp aaaaaaaa cccccccccccc eeeeeee ssssssssss pppppp ppppppp aaaaaaa ccccccc eeeeeeeee ssssssssss pppppp ppppppppp aaaaaa ccc eeeeeeeeeeee sssssssssss pppppppppppppppppp aaaaaaa cc eeeeeeeeeeeeeeeeeeee sssssssssssss pppppppppppppppp aaaaaaaaa c eeeeeeeeeeeeeeeeeeeeeeee sssssssssssssss pppppppppppp aaaaaaaaaaaaaaaaa c eeeeeeeeeeeeeeeeeeeeeeee sssssssssssssss ppppppp aaaaaaaaaaaaaaaaaaaa c eeeeeeeeeeeeeeeeeeeeee sssssssssssssss ppp aaaaaaaaaaaaaaaaaaaaa c eeeeeeeeeeeeeee ssssssssssss pp aaaaaaaaaaaaaaaaaaaaa cc eeeeeeeeeeee ssssssssss pp aaaaaaaaaaaaaaaaaaaaa ccc eeeeeeeeeeee sssssssssss p aaaaaaaa aaaaaaaa cccc eeeeeeeeeeeeee sssss sssssssssss p aaaaaaaa aaaaaaa cccccccc eeeeeeeeeeeeee ssssssssssssssssssssss pp aaaaaaa aaaaaaa cccccccccc eeeeeeeeeeeeee sssssssssssssssssssss ppp aaaaaaa aaaaaa ccccccccccc eeeeeeeeeeeeee sssssssssssssssssss pppp aaaaaa aaaaaa ccccccccc eeeeeeeeeeeeee sssssssssssss ppppp aaaaaa aaaaa ccccccc eeeeeeeeeeeee ssssssss ppp aaa aaa ccc eeeeeeeee
"We have your picture and resume, don't we?"
ZZ // OOOOOOOO OOOOOOOOOO \ Z O O O O Z O oooooooOoooooooo O Z oooo \\\ O\\\ \oooo O Z ooo\\\ \\\ O \\\ \\\ oooO KILLER BEE ZZ ooo \\\ \\\ O \\\ \\\ O ooo ZZ oo \\\ \\\O \\\ \\OO \\oo STRIKES Z o \\\ \\\O \\\ OO\\ \\\o BZZ o \\\ \\\O \\\OO \\\ \\\o AGAIN!! o ||\ ||\O OO\ ||\ ||\o o o ||| ||| OOO||| ||| ||| o___________ o ||| ||| ||| ||| ||| o o ] ||/ ||/ ||/ ||/ ||/o o / /// /// /// /// ///o o/ /// /// /// /// ///o oo /// /// /// /// //oo ooo /// /// /// /// ooo ___ oooo// /// /// /// oooo \_______ \ ___ oooo /// /// /oooo \____\_/ . \ / / oooooooooooooooo \ \_______/ / \_._/ | | | | | | ___/ _| _| _| _| _| _|
BULLDOG!! BULL DOG!! BOW! WOW! WOW! ELI YALE! BULLDOG!! BULL DOG! BOW WOW WOW! OUR TEAM WILL NEV ER FAIL! WHEN THE SONS OF ELI BREA K THROUG H THE LI NE - THA T IS THE SIGN WE HAIL!!!! BULLDOG! BULLDOG! BOW! WOW WOW! ELI !!!!!!YALE!!!!! BOOLA! BOOLA! BOOLA BOOLA !!BOOLA!! !!BOOLA!! !!BOOLA!! !!BOOLA!! !!BOOLA!! !!!!HARVARD!!!! !!!!!SUCKS!!!!!
CCCCC '' EEEEEEE SSSSSS TTTTTTT / \ / \ C C '' E S T / / \ / \ \ C EEEEE SSSSS T | | | | | | C C E S T | | | | | | CCCCC EEEEEEE SSSSSS T | | | | | | | | | | | | U U N N EEEEEEE | | | | | | U U NN N E | | | | | | U U N N N EEEEE \ / \ / U U N NN E \ / \ / UUUUU N N EEEEEEE ___________ / \ BBBBBB U U N N N N Y Y / \ B B U U NN N NN N Y Y / O O \ BBBBBB U U N N N N N N Y Y | | B B U U N NN N NN Y | \/ | BBBBBB UUUUU N N N N Y | | \ \____/ / DDDDDD AAAAA Y Y \ / D D A A Y Y \_____________/ D D AAAAAAA Y Y D D A A Y DDDDDD A A Y
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~ ~~~ ~~~ ~~~ ~~~ ~~~ ~~~ ~~~ ~~~ p o d |---> ~~~ ~~~ user <===> PTRANS <--- user <---| ~~~ ~~~ |---< LOC ( terminal ) ~~~ ~~~ /'\ ~~~ ~~~ ||| r ~~~ ~~~ ||| ~~~ ~~~ |---> MENT.ST. ( > X ) ~~~ ~~~ user <===| ~~~ ~~~ |---< MENT.ST. ( X ) ~~~ ~~~ ~~~ ~~~ ~~~ ~~~ ~~~ ~~~ ~~~ ~~~ ~~~ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
\|/ --O-- "Timeo Danos, et dona ferentes." /|\ ___________________________________________________________________ ********************************************************************* *********************************************************************** @|||@ @|||@ @|||@ @|||@ @|||@ @|||@ @|||@ @|||@ @|||@ @|||@ ||| ||| ||| ||| ||| ||| ||| ||| ||| ||| ||| ||| ||| ||| ||| ||| ||| ||| ||| ||| ||| ||| ||| ||| ||| ||| ||| ||| ||| ||| ||| ||| ||| ||| ||| ||| ||| ||| ||| ||| ||| ||| ||| ||| ||| ||| ||| ||| ||| ||| ||| ||| ||| ||| ||| ||| ||| ||| ||| ||| ||| ||| ||| ||| ||| ||| ||| ||| ||| ||| /|||\ /|||\ /|||\ /|||\ /|||\ /|||\ /|||\ /|||\ /|||\ /|||\ ***** ***** ***** ***** ***** ***** ***** ***** ***** ***** *********************************************************************** ************************************************************************* ***************************************************************************
EXIT v. intrans. To attempt to leave the current program by tying a sequence of ignored farewells. See also HALTING PROBLEM. There is, as yet, no standard string for use in the discontinuant environment. Contenders, under urgent review, include BYE, PISS OFF, END, ADIEU, BREAK, PARTING IS SUCH SWEET SORROW, and the ASCII standard 14-pound hammer (or two such ham- mers for the "control + C" interrupt option). -- The Devil's DP Dictionary Stan Kelly-Bootle
GRAPHICS n. Also called GRAPHICAL DISPLAY SYSTEMS; GRAPHICAL PLOTTING SYSTEMS. Any system capable of, and mainly engaged in, the display or printing of continuous-line Snoopy renditions. -- The Devil's DP Dictionary Stan Kelly-Bootle
INTERFACE 1 n. An arbitrary line of demarcation set up in order to apportion blame for malfunctions. 2 v. trans. To redesign (two working subsystems) so that they can go wrong symbiotically. -- The Devil's DP Dictionary Stan Kelly-Bootle
LIFO adj. (Of a stack) being analogous to the central deck of cards in gin rummy, where (pace card sharping) cards are taken from or placed on the top position only. As with gin rummy, the top item in the stack has usually been discarded by someone else and is not the item you are seeking. -- The Devil's DP Dictionary
NEST v. trans. To expose (loops, subroutines) to premature and/or unexpected calls. To each such exposure a positive integer, known as the depth, is assigned, indicating the approximate number of person-months needed to correct the situation. -- The Devil's DP Dictionary Stan Kelly-Bootle
PAGING n. A panic call for the person who just left the site and is rushing to reach the nearest bar beyond the radius of the paging system. -- The Devil's DP Dictionary Stan Kelly-Bootle
QLP n. [Query Language Processor (c. Sperry Univac).] A compiler that allows the nonprogrammer to generate a query program. QUERY PROGRAM n. A program that, for all input strings X, responds with the message ?X? -- The Devil's DP Dictionary Stan Kelly-Bootle
REENTRANT adj. Of or relating to a program specially constructed to mislead several users at the same time. -- The Devil's DP Dictionary Stan Kelly-Bootle
RANDOM FILE n. A place where things can get lost in any sequence. SEQUENTIAL FILE n. A place where things can get lost in lexicographic order. -- The Devil's DP Dictionary Stan Kelly-Bootle
UPGRADE 1 n. An expensive counterexample to earlier conjectures about upward compatibility. 2 n. A painful crisis which belatedly restores one's faith in the previous system. 3 v. trans. To replace obsolete stability with something less boring. -- The Devil's DP Dictionary Stan Kelly-Bootle
DOWNTIME n. The period during which the system is error-free and immune from user input. -- The Devil's DP Dictionary Stan Kelly-Bootle
VUE n. A text editor available on the Alpha Micro system, the most memorable feature of which is that (Control + L) moves the cursor right. -- The Devil's DP Dictionary Stan Kelly-Bootle
PASSWORD n: The user's first name, or the first four characters of the user's first name. -- The Devil's DP Dictionary Stan Kelly-Bootle
IMPLEMENTATION n. The fruitless struggle by the talented and underpaid to fulfill promises made by the rich and ignorant. -- The Devil's DP Dictionary Stan Kelly-Bootle
MICROPROCESSOR n. Twenty years of architectural bungling concentrated into a single chip. -- The Devil's DP Dictionary Stan Kelly-Bootle
MODULE n. (Hardware) Any portion of a system that can fall off during shipment; any element in a system which can be replaced but not mended. -- The Devil's DP Dictionary Stan Kelly-Bootle
PAPER LOW n. A lamp which lights to indicate that your output is now appearing on the platen. -- The Devil's DP Dictionary Stan Kelly-Bootle
ALU n. [Arthritic Logic Unit, or (rare) Arithmetic Logic Unit.] A random-number generator supplied as standard with all computer systems. -- The Devil's DP Dictionary Stan Kelly-Bootle
BOOTSTRAP n. The first straw that breaks the system's back. -- The Devil's DP Dictionary Stan Kelly-Bootle
APL n. [A Personal Language.] A language, devised by K. Iverson (1961), so compacted that the source code can be freely disseminated without revealing the programmer's intentions or jeopardizing proprietary rights. There are three things a man must do Before his life is done: Write two lines of APL, And make those buggers run. -- The Devil's DP Dictionary Stan Kelly-Bootle
_______________ |\ |\ |\ | \____|__\____|__\ | |\ | |\ | |\ |___|__\|___|__\|___|__\ |\ | |\ | |\ | | | \|___|__\|___|__\| | | |\ | |\ | |\ | |___|__\|___|__\|___|__\| \ | |\ | |\ | \|___|__\|___|__\| \ | \ | _ _______ \|______\| ____ |\ |\ Free Space. ______ | \ ___|__\ ___ | | * | _ |___| > \ | __| /\|_______| // \\ //_ \\__ [CDL] ----- -----
Who has heard honey words from Finn before strangers, Finn that is wind-quick, Finn that is a better man than God?
Ai: the ith approximation to 1/p -Dana Angluin 10/25/79
(nil)
As they say in France, "Tirons-nous de France!"
H H \ / H N---C \ / || C===C || / \ || H--C C---C \\ // \ C---C H--C--H / \ / A fun molecule. H C---C--H H // \ | H--C N---C--H \ / | H--C---C--H H / | O==C H \ OH
Who's your favorite honky? f un ky f u n ky fu n ky fun ky f un kyf unkyf unk yfu nkyfu nkyfunkyfunkyfunkyf unk yfunkyfu nkyfunkyfunkyfunkyfunkyfun kyf unk funky funkyfunkyfunkyfunkyfunkyfunk yfu nkyfunkyfunkyfunkyfunkyfunkyfunkyfunkyfunk yfun kyfunkyfunkyfunkyfunkyfunkyfunkyfunkyfunkyfunky funkyfunkyfunkyfunkyfunkyfunkyfunkyfunkyfunkyfunk yfunkyfunkyfunkyfunkyfunkyfunkyfunkyfunkyfunkyfunkyfunkyf funkyfunkyfunkyfunkyfunkyfunkyfunkyfunkyfunkyfunkyfunkyfunk
___________________________________________________________________________ | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | |___________________________________________________________________________| A null graph.
Far out in the uncharted backwaters of the unfashionable end of the Western Spiral arm of the Galaxy lies a small unregarded yellow sun. Orbiting this at a distance of roughly ninety-eight million miles is an utterly insignificant little blue green planet whose ape-descended life forms are so amazingly primitive that they still think digital watches are a pretty neat idea. This planet has -- or rather had -- a problem, which was this: most of the people living on it were unhappy for pretty much of the time. Many solutions were suggested for this problem, but most of these were largely concerned with the movements of small green pieces of paper, which is odd because on the whole it wasn't the small green pieces of paper which were unhappy. -- The Hitch Hiker's Guide to the Galaxy
The History of every major Galactic Civilization tends to pass through three distinct and recognizable phases, those of Survival, Inquiry and Sophistication, otherwise known as the How, Why and Where phases. For instance, the first phase is characterized by the question "How can we eat?" the second by the question "Why do we eat?" and the third by the question "Where shall we have lunch?" - The Hitch Hiker's Guide to the Galaxy
A towel is about the most massively useful thing an interstellar hitch hiker can have. Partly it has great practical value -- you can wrap it around you for warmth as you bound across the cold moons of Jaglan Beta; you can lie on it on the brilliant marble-sanded beaches of Santraginus V, inhaling the heady sea vapours; you can sleep under it beneath the stars which shine so redly on the desert world of Kakrafoon; use it to sail a mini-raft down the slow heavy river Moth; wet it for use in hand-to-hand combat; wrap it around your head to ward off noxious fumes or avoid the gaze of the Ravenous Bugblatter Beast of Traal (a mindbogglingly stupid animal, it assumes that if you can't see it, it can't see you -- daft as a brush, but very very ravenous); you can wave your towel in emergencies as a distress signal; and, of course, dry yourself off with it if it still seems to be clean enough. -- The Hitch Hiker's Guide to the Galaxy
Vogon Constructor Fleets. Here is what to do if you want to get a lift from a Vogon: forget it. They are one of the most unpleasant races in the Galaxy -- not actually evil, but bad-tempered, bureaucratic, officious and callous. They wouldn't even lift a finger to save their own grandmothers from the Ravenous Bugblatter Beast of Traal without orders signed in triplicate, sent in, sent back, queried, lost found, subjected to public inquiry, lost again, and finally buried in soft peat for three months and recycled as firelighters. The best way to get a drink out of a Vogon is to stick your finger down his throat, and the best way to irritate him is to feed his grandmother to the Ravenous Bugblatter Beast of Traal. On no account allow a Vogon to read poetry at you. -- The Hitch Hiker's Guide to the Galaxy
Vogon poetry is of course the third worst in the Universe. The second worst is that of the Azgoths of Kria. During a recitation by their Poet Master Grunthos the Flatulent of his poem "Ode To A Small Lump of Green Putty I Found In My Armpit One Midsummer Morning" four of his audience died of internal haemorrhaging, and the President of the Mid-Galactic Arts Nobbling Council survived by gnawing one of his own legs off. Grunthos is reported to have been "disappointed" by the poem's reception, and was about to embark on a reading of his twelve-book epic entitled "My Favourite Bathtime Gurgles" when his own major intestine, in a desperate attempt to save life and civilization, leapt straight through his neck and throttled his brain. The very worst poetry of all perished along with its creator Paul Neil Milne Johnstone of Redbridge, Essex, England in the destruction of the planet Earth. -- The Hitch Hiker's Guide to the Galaxy
The Encyclopedia Galactica defines a robot as a mechanical apparatus designed to do the work of a man. The marketing division of the Sirius Cybernetics Corporation defines a robot as "Your Plastic Pal Who's Fun To Be With." The Hitch Hiker's Guide to the Galaxy defines the marketing division of the Sirius Cybernetics Corporation as "a bunch of mindless jerks who'll be the first against the wall when the revolution comes," with a footnote to the effect that the editors would welcome applications from anyone interested in taking over the post of robotics correspondent. Curiously enough, an edition of the Encyclopedia Galactica that had the good fortune to fall through a time warp from a thousand years in the future defined the marketing division of the Sirius Cybernetics Corporation as "a bunch of mindless jerks who were the first against the wall when the revolution came." -- The Hitch Hiker's Guide to the Galaxy
Curiously enough, the dolphins had long known of the impending destruction of the planet Earth and had made many attempts to alert mankind to the danger; but most of their communications were misunderstood as amusing attempts to punch footballs or whistle for titbits, so they eventually gave up and left the Earth by their own means shortly before the Vogons arrived. The last ever dolphin message was misinterpreted as a surprisingly sophisticated attempt to do a double-backwards- somersault through a hoop whilst whistling the "Star Spangled Banner," but in fact the message was this: "So long and thanks for all the fish." -- The Hitch Hiker's Guide to the Galaxy
In many of the more relaxed civilizations on the Outer Eastern Rim of the Galaxy, the Hitch Hiker's Guide has already supplanted the great Encyclopedia Galactica as the standard repository of all knowledge and wisdom, for though it has many omissions and contains much that is apocryphal, or at least wildly inaccurate, it scores over the older, more pedestrian work in two important respects. First, it is slightly cheaper; and secondly it has the words DON'T PANIC inscribed in large friendly letters on its cover. -- The Hitch Hiker's Guide to the Galaxy
BBBBBBBBBBBBBBBBBBBBB BBBBBBBBBBBBBBBBBBBBB BBBBBBBBBBBBBBBBBBBBB BBBBBB BBBBBB BBBBBBBBBBBBB BBBBBBBBBBBBB BBBBBBBBBBBBB BBBBBB BBBBBB BBBBBBBBBBBBBBBBBBBBB BBBBBBBBBBBBBBBBBBBBB BBBBBBBBBBBBBBBBBBBBB LLLLLLLLLLLL NNNNNNNNNNNN LLLLLLLLLLLL IIII IIII NNNNNNNNNNNN DDDDDDDDDDDDDDDDDDD LLL IIII IIII NNN DDDDDDDDDDDDDDDDDDD LLLLLLL IIII IIII IIII NNNNNNN DDDD DDDD DDDD LLLLLLL IIII IIII IIII NNNNNNN DDDD DDDD DDDD LLL IIII IIII IIII NNN DDDD DDDD DDDD LLLLLLLLLLLL IIIIIIIIIIIIIIIIIII NNNNNNNNNNNN DDDD DDDD LLLLLLLLLLLL IIIIIIIIIIIIIIIIIII NNNNNNNNNNNN DDDD DDDD
huh?
I hate computers
____ \ / || || || <---- Primary paper-writing || implement of Yale. || || Instructions for use: || || 1) Take Implement. || || 2) Think of basic idea ____||____ for paper. (Optional) | \/ | | | 3) Apply Implement liberally. | | \ / \________/
_______________ / \ / \ /________ ________\ | \ / | | ++ | ++ | _____________________________|_______ | _______|______________________________ | || || || | | | | || || || | \_/\_/| |\_/ | | \_/| |\_/\_/ \_/ | | \_/ \___/ K K K K I L RR OOOO Y Y KK I L R R O O YYY K K I L RRR O O Y !! K K I LLL R R OOOO Y !! !! W W H H !! W W AAAA SSSS H H EEEE RR EEEE !! W W W A A S HHHHHH E__ R R E__ !! W W W AAAA S H H E RRR E W W A A SSSS H H EEEE R R EEEE !!
KK KK AAAA NN NN SSSSSSS AAAA SSSSSSS KK KK AA AA NN NN NN S AA AA S KKKK AAAAAAAA NN N NN SSSSSSS AAAAAAAA SSSSSSS KK KK AA AA NN NNN S AA AA S KK KK AA AA NN NN SSSSSSS AA AA SSSSSSS ---------------------------------------------------------------/ | \ | > | Kansas City *\ | \ | | | | | | | | | | | | | | | | | | | | | | --------------------------------------------------------------------
/\ / \ /\ / \_ / \ / \__ / \/ \ / \ / \ /\ _ / \/ \ / \ / \ / \ / \ ___/ \ / \/ \ / \ / \ /\ / \_/ \ / \ /\ /\ // \/ \/ \__/ \___ ________________________________________________________________________/ \/ / /\ /| / \ \ .. / /\ / \/ \/ \ . . / \ ______/ / \ /\ / | \ /\ \ / \ / /\ / / \ / /\ | \ \./ \ . ________/ /\ / \/ / \| / \ \ \ / \ / /\ | \/ /\ / / / ___________________\______/___\_/ /\ | \/ \ | \/ | /\ | /\ /\ / \/ / \ / | / / \ /\ /\/ \ /\ / \ /\ /\ /|__ \ |__ _ / \ | /__ \ |// | \/ \/_ / \/ \/ \___ | |/ \ | / \ /_ /__ \
OOOO......................OOOOOOOOOOOOOOOOOOO......................OOOOOOOOOOO OOOOO......................OOOOOOOOOOOOOOOOOOO......................OOOOOOOOOO OOOOOO......................OOOOOOOOOOOOOOOOOOO......................OOOOOOOOO OOOOOOO......................OOOOOOOOOOOOOOOOOOO......................OOOOOOOO OOOOOOOO......................OOOOOOOOOOOOOOOOOOO......................OOOOOOO OOOOOOOOO......................OOOOOOOOOOOOOOOOOOO......................OOOOOO OOOOOOOOOO......................OOOOOOOOOOOOOOOOOOO......................OOOOO OOOOOOOOOOO......................OOOOOOOOOOOOOOOOOOO......................OOOO OOOOO......................OOOOOOOOOOOOOOOOOOO......................OOOOOOOOOO OOOOOO......................OOOOOOOOOOOOOOOOOOO......................OOOOOOOOO OOOOOOO......................OOOOOOOOOOOOOOOOOOO......................OOOOOOOO OOOOOOOO......................OOOOOOOOOOOOOOOOOOO......................OOOOOOO OOOOOOOOO......................OOOOOOOOOOOOOOOOOOO......................OOOOOO OOOOOOOOOO......................OOOOOOOOOOOOOOOOOOO......................OOOOO OOOOOOOOOOO......................OOOOOOOOOOOOOOOOOOO......................OOOO OOOOO......................OOOOOOOOOOOOOOOOOOO......................OOOOOOOOOO OOOOOO......................OOOOOOOOOOOOOOOOOOO......................OOOOOOOOO OOOOOOO......................OOOOOOOOOOOOOOOOOOO......................OOOOOOOO OOOOOOOO......................OOOOOOOOOOOOOOOOOOO......................OOOOOOO OOOOOOOOO......................OOOOOOOOOOOOOOOOOOO......................OOOOOO OOOOOOOOOO......................OOOOOOOOOOOOOOOOOOO......................OOOOO OOOOOOOOOOO......................OOOOOOOOOOOOOOOOOOO......................OOOO
_______|______ _______|______ / | /| / | /| / | / | / | / | /______________/ | /______________/ | | | | | | | -----------| | -|-------------| | -|------------ | | / | | / | | / | | / |______________|/ |______________|/ | | _______|______ _______|______ / | /| / | /| / | / | / | / | /______________/ | /______________/ | | | | | | | -----------| | -|-------------| | -|------------ | | / | | / | | / | | / |______________|/ |______________|/ | | | |
I WAS HERE MUCH TOO LONG!
\\\\\\\\\\\\\\\\\\\\\\ \\\\\\\\\\\\\\\\\\\\\ \\\\\\\\\\\\\\\\\\\\ \\\\\\\\\\\\\\\\\\\ \\\\\\\\\\\\\\\\\\ \\\\\\\\\\\\\\\\\\ \\\\\\\\\\\\\\\\\ \\\\\\\\\\\\\\\\ \\\\\\\\\\\\\\\ \\\\\\\\\\\\\\ \\\\\\\\\\\\\ \\\\\\\\\\\\ \\\\\\\\\\\ \\\\\\\\\\ \\\\\\\\\ \\\\\\\\ \\\\\\\ \\\\\\ \\\\\ \ \\\\ \\ \\\ / \\\ \\ // \\\\\ `* ////
Reach out... Reach out and cluth someone. Ma Bell
\ F / \ / \ / \ C / \ / \ / X G X / \ / \ / D \ / \ / /\ / \ D / \ / \ / \ / \ / A seven color map. \ A /\ / \ / \ / E \ / \ / / \ / \ E / \ / \ / \/ \ / \ B / \ / \ / \ / F \ / \/ / \ / \ F / \ / C \ / G X \
XXXX XXXXXXXX XX XXXXXX XX XX XX XXXXXX XXXXXXXX XX XX XX XX XX XX XX XX XX XX XX XXXXX XX XX XX XX XXXXX XX XX XX XX XX XX XX XX XX XX XXXX XX XXXXXX XXXXX XXXXX XXXXXX XX XX XX XX XX XXX XXXXXXXX XXXX XXXXXXXX XX XX XX XX XX XX XX XX XX XX XX XX XXXXXXX XX XX XX XX XX XX XX XX XX XX XXXXXXX XX XX XX XXX XXX XX XX XX XX XX XXXX XX XXXXXX XXX XX XX XXXXXX XX XX XX XX XX XX XXXXX XX XX XXXX XXXXX .................................. XX XXXXXXX XX XX : XXXXXX XX XX XX XXXXXX : : : V
M L A T +---+ +---+ +---+ +---+ | 1 | direct | 3 | direct | 6 | direct | 8 | direct +---+ solve +---+ solve +---+ solve +---+ solve \ 4 / \ 2 / \ 4 / \ 2 \ h / \ h / \ h / \ h +---+ M +---+ N / +---+ M +---+ N | 2 | relax. | 4 | relax. / | 7 | relax. | 9 | relax. +---+ sweeps +---+ sweeps / +---+ sweeps +---+ sweeps \ 4 / \ 2 \ h / \ h +---+ M +---+ N | 5 | relax. | 10| relax. +---+ sweeps +---+ sweeps
.:::::. ::;;;;;;; ::: . ; . : .::::;.,:,.;:. ..::::::::,.,.,::::::. .:::::::::::::::** **:::::. .:::::::::::::::* * *::::::. .:::::::::::::::::* *:::::::::. ::::::::::::::::::::* *:::::::::::::. ::::::::;::::::::::::::* *:::::::;'';:::::::. ;:::::::; '::::::::::::::*::::::::: ';::::::::, ,;:::::::'; ::::::::::::::::::::::::. ;::::::::', ' ';;'';:' ;::::::::::::::::::::::::. ;' ';:;'', ' ' ;::::::::::::::::::::::::::. ' ;:::::::::::::::::::::::::::. ,:::::::::::::::;'';::::::::::::. ,:::::::::::::;'' ';:::::::::::, ;:::::::::::;' ';::::::::::, ;:::::::::::;' ';:::::::::; ;:::::::::::::, ;::::::::::::, ,;;' ';;;;' ';;;, ,;;;;' ';;;;'';;;,
NN NN EEEEEE WW WW NNN NN EE WW WW NN N NN EEEEE WW W WW NN NNN EE WW W WW NN NN EEEEEE WW WW JJ EEEEEE RRRRR SSSSS EEEEEE YY YY JJ EE RR RR SS EE YY YY JJ EEEEE RRRR SSSSS EEEEE YYYY JJ JJ EE RR RR SS EE YY JJJJ EEEEEE RR RR SSSSS EEEEEE YY ... look before you laugh.
NN NN EEEEEE WW WW YY YY OOOOO RRRRR KK KK !! NNN NN EE WW WW YY YY OO OO RR RR KK KK !! NN N NN EEEEE WW WW WW YYY OO OO RRRRR KKKK !! NN NNN EE WW WW WW YY OO OO RR RR KK KK NN NN EEEEEE WWWWWW YY OOOOO RR RR KK KK !! ** ** ** ** ** ** ** ** ** ** * * * * * * * * ** ** ** ** ** ** ** ** ** ** ** ** * * * * * * * * * * * * ** * ** ** ** ************ ** ** * +Queens * ** ************
... The system "Metric", I'll agree, Beats the one that they did teach to me. But I'll speak my piece, If they try to release, The book Centigrade 233 ...
+------------------------------------------------------------------------------+ | HUM6 | | /^\ +--> CP(HUM6) | | CD1: *SELF* <=> *MTRANS* <-mo- ||| <----| | | ||| +--< CP(*SELF*) | | POSS(HOUSE1) | | HUM6: (#PERSON | | SEX *FEMALE* TIME= X | | DAUGHTER HUM5) | | HUM5: (#PERSON HOUSE1:(#PHYSOBJ | | SEX *FEMALE* TYPE *HOUSE* | | HUSBAND *SELF*) OWNER *SELF*)8 | | ------------------------------------------------------- | | +-> Y | | CD2: HUM6 <=> *ATRANS* <-o- HOUSE1 <--| | | /^\ +-< HUM6 | | |||& TIME = X+N | | \_/ +->HUM6 | | Y <=> *ATRANS* <-o- *MONEY* <-| | | +-< Y | +------------------------------------------------------------------------------+
... A young philosopher named Hortense, Said in a voice ever more tense, I think what I know, Even though it's not so. (She put Descartes in front of her horse sense) ...
| HUM0: (#PERSON | TYPE *SELF*) | | HUM1 +->STM(HUM1) | HUM1: (#PERSON /\ | | TYPE *YOU*) HUM0 <=> *MTRANS* || <--+ | \/ | | *ATRANS* +-
+------------------+ ! Psychiatric Help ! ! 5 cents ! +------------------+ ! ! ! ! ! ! ! ! ! +----------------!-+ !/ !/! +------------------+ ! ! THE DOCTOR IS: ! ! ! +-----+ ! ! ! ! OUT ! ! ! ! +-----+ ! + ! !/ +------------------+
! 100! /------\ P ! / \------\ r ! /-/ \ o ! / \---\ d 75! / \ u ! \ c ! \ t ! \ i 50! \-\ v ! \ i ! \-----\ t ! \ y 25! \------\ ! \ % ! \ ! ! ! ! 0!--------------------------------------------------------\---------- 0 1 2 3 4 5 6 7 \ 8 \ T i m e o n l i n e (Hrs) \
""" **** * "" * * * " * * **** * * **** * **** ***** ***** * * * * * * * ** * * ______ _______ * * * * * * * ****** * **** /oooooo\ /ooooooo\ * * * * * * * * * * [oooooooo||ooooooooo] * * **** ** ** **** * ***** \ooooooo|\oooooooo/ /~~~~~/ \ ~~~~~\ * * * """ /ooooo[ ]ooooooo\ * * "" [ooooooo\ /ooooooooo] ***** **** *** ****** " \ooo//oooooo\ooooooo/ * * * * * * \oooooooo/\ooo/ * * * * * * \oooo/\ \ * * * * * * * \ \ **** **** ***** *** \ \ \ ] ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ /\\\\\\\\\_ ] / \\\\\\\\\\\\ / /-///////////\ \//////////\ / / \\\\\\\\\\\/ / / \\\\\\\/ \--------------------/ - jem
......................................__...................................... ....................................______.................................... ..................................__________.................................. ................................______________................................ ..............................__________________.............................. ............................______________________............................ ..........................__________________________.......................... ........................______________________________........................ ......................__________________________________...................... ....................______________________________________.................... ..................__________________________________________.................. ................______________________________________________................ ..............__________________________________________________.............. ............______________________________________________________............ ..........__________________________________________________________.......... ........______________________________________________________________........ ......__________________________________________________________________...... ....______________________________________________________________________.... ..__________________________________________________________________________.. ______________________________________________________________________________
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/\_______/\_ || /\ /\ || -/\ || || || || || ||_||_||_|| || /\| ___ |/\-|| || / | \ || /\ || |_|_| || || || _ _ || || _____________________________ /\| / \ / \ |/\ || /_\ \ || | | | | || /\ /\// \\/\ \|| |_| |_| || || ||| |||__________________________\| || || ||| ||| /\ /\ || || || /\|| ||/\ || || || |/\ || || |___| || || || | \ || /\ ||/ | \|| || || | | || || /\| /\|/\ |/\ /\ /\ | | || || || | | | || | | | | || || || | | | || | | | | || ||
# ######### # # # # ########### # # ########### ######### # # # ###################### ### # # # # # # # # # ######### ########### # # # ######## # # # # # # # # # # # # # # # # # # # # # #### ## # ######### ########### # # # # # # # # # ############# # # # # # # # # # # # # # # ########### # # # # # # # # # # # # ################ # # ### # ###
You have not converted a man because you have silenced him.
Current Score is 1811 Snake's score is 72 Previous high score was 1214 9 Load average exceeded. Games terminated with extreme prejudic*. * * * @ * *_ O #
"They were in the wrong place at the wrong time. Naturally they became heroes." --Leia Organa of Aldernaan, Senator
=============================== / /I I===============================I I I T H E S I S I I I vol 2 I I =============================== !!!!!!!! I I / /I !!!!!!!! I I I===============================I I ???????? I I I T H E S I S I I ???????? I I I vol 1 I I %%%%%%%% I I I #$&%@ @%&$# &$#@%$&! I I %%%%%%%% I I I #$&%@ @%&$# &$#@%$&! I I &&&&&&&& I I I #$&%@ @%&$# &$#@%$&! I I &&&&&&&& I I I #$&%@ @%&$# &$#@%$&! I I $$$$$$$$ I I I #$&%@ @%&$# &$#@%$&! I I $$$$$$$$ I I I #$&%@ @%&$# &$#@%$&! I I=============I/ I #$&%@ @%&$# &$#@%$&! I I I #$&%@ @%&$# &$#@%$&! I I I #$&%@ @%&$# &$#@%$&! I I I ......... I I I===============================I/
READY logoff RESOURCE QUANTITY UNITS CHARGE DISK-BLOCKS 1.04 1000 $ .07 CORE-OCC 15.57 100K*M $1.35 READING 9.08 1000 $2.05 CONNECT 1.40 HR $10.53 CPU 2.24 MIN $ .95 TOTAL CHARGE $15.95 MTD SPENT: $35.95 BALANCE $3,673,445.05 TUTTLE LOGGED OFF TSO AT 07:08:42 ON DECEMBER 25 , 1979 !I 4j&34^5n5+_
^ ^^^^^ ^^^^^^^^^ ^^^^^^^^^^^^^ ^^^^^^^^^^^^^^^^^ ^^^^^^^^^^^^^^^^^^^^^ ^^^^^^^^^^^^^^^^^^^^^^^^^ ^^^^^^^^^^^^^^^^^^^^^^^^^^^^^ ^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^ ||||||||||||||| ||||||||||||||| ||||||||||||||| ||||||||||||||| ||||||||||||||| ||||||||||||||| ||||||||||||||| ||||||||||||||| THIS SIDE UP
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The difficulty is to realize the groundlessness of our believing. L. Wittgenstein On Certainty
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